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Paolo veronese a master and his workshop in renaissance venice - Paolo Veronese: A Master and His Workshop in Renaissance.


Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

One of the exhibition’s highlights will be the Ringling’s own work, Rest on the Flight into Egypt (ca. 1572), one of only two complete Veronese altarpieces in North America and the first Old Master painting acquired in 1925 by the Museum’s founder, John Ringling. The exhibition will also feature two other works from the Ringling’s collection: Portrait of Francesco Franceschini (1551), the artist’s first known surviving, full-standing portrait, painted when Veronese was just 23 years old, and a painting John Ringling bought as a Veronese, A Family Group (ca. 1565), now understood to be the work of his talented pupil Giovanni Antonio Fasolo.

“One of the most impressive paintings by Veronese in America is the Ringling’s Rest on the Flight into Egypt, which happens to be the first Old Master painting acquired by John Ringling for this museum,” said Steven High, executive director of The John and Mable Ringling Museum of Art. “In recent years, the Ringling Museum has made a concerted effort to organize important exhibitions based on prominent works in our European collection, and Paolo Veronese is the latest in this series. This exhibition hopes to introduce new audiences to the broad spectrum of Veronese as a painter and draughtsman, while making a major contribution to the study of the artist.”

“Veronese is broadly represented in American collections, in contrast with contemporary Venetian painters like Tintoretto and Titian, and thus the exhibition ably surveys his career and oeuvre,” said Virginia Brilliant, the exhibition’s lead curator. “Yet Veronese is often dismissed as a merely decorative painter, more elegant and ‘happier’ than Titian or Tintoretto. This exhibition hopes to shift this perception, and to shed light on Veronese as a masterful, deeply empathetic storyteller and narrative painter whose works were often invested with rich layers of meaning.”

Вероятно, серверы Твиттера перегружены или в их работе произошел кратковременный сбой. Повторите попытку или посетите страницу Статус Твиттера , чтобы узнать более подробную информацию.

Эта настройка позволяет добавлять в твиты информацию о местоположении, например название города и точные координаты, на веб-сайте и в сторонних приложениях. Вы можете удалить сведения о местоположении из своих твитов в любое время. Подробнее

Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

One of the exhibition’s highlights will be the Ringling’s own work, Rest on the Flight into Egypt (ca. 1572), one of only two complete Veronese altarpieces in North America and the first Old Master painting acquired in 1925 by the Museum’s founder, John Ringling. The exhibition will also feature two other works from the Ringling’s collection: Portrait of Francesco Franceschini (1551), the artist’s first known surviving, full-standing portrait, painted when Veronese was just 23 years old, and a painting John Ringling bought as a Veronese, A Family Group (ca. 1565), now understood to be the work of his talented pupil Giovanni Antonio Fasolo.

“One of the most impressive paintings by Veronese in America is the Ringling’s Rest on the Flight into Egypt, which happens to be the first Old Master painting acquired by John Ringling for this museum,” said Steven High, executive director of The John and Mable Ringling Museum of Art. “In recent years, the Ringling Museum has made a concerted effort to organize important exhibitions based on prominent works in our European collection, and Paolo Veronese is the latest in this series. This exhibition hopes to introduce new audiences to the broad spectrum of Veronese as a painter and draughtsman, while making a major contribution to the study of the artist.”

“Veronese is broadly represented in American collections, in contrast with contemporary Venetian painters like Tintoretto and Titian, and thus the exhibition ably surveys his career and oeuvre,” said Virginia Brilliant, the exhibition’s lead curator. “Yet Veronese is often dismissed as a merely decorative painter, more elegant and ‘happier’ than Titian or Tintoretto. This exhibition hopes to shift this perception, and to shed light on Veronese as a masterful, deeply empathetic storyteller and narrative painter whose works were often invested with rich layers of meaning.”

Вероятно, серверы Твиттера перегружены или в их работе произошел кратковременный сбой. Повторите попытку или посетите страницу Статус Твиттера , чтобы узнать более подробную информацию.

Эта настройка позволяет добавлять в твиты информацию о местоположении, например название города и точные координаты, на веб-сайте и в сторонних приложениях. Вы можете удалить сведения о местоположении из своих твитов в любое время. Подробнее

Paolo Veronese
Biography of Venetian Biblical Painter and Colourist.
MAIN A-Z INDEX - A-Z of ARTISTS


Wedding Feast at Cana (1563) (detail)
Louvre, Paris. By Paolo Veronese.
One of the most famous examples
of Christian art from the Mannerist era.

• Biography
• Training
• Early Works
• Moves to Venice
• The Wedding at Cana
• The Feast in the House of Levi
• Artistic Reputation and Legacy
• Selected Paintings

Charles Stirling, 1771 - 1830 (Keir, Central, Scotland), possibly by inheritance to his nephew, William Stirling-Maxwell.

Sir William Stirling-Maxwell, ninth Bart., Kt., 1818 - 1878 (Keir, Central, Scotland), probably by inheritance to his brother, Archibald Stirling, 1878.

Gen. Archibald Stirling of Keir, 1867 - 1931 (Keir, Central, Scotland), by inheritance to William Joseph Stirling, 1931.
Source: Seen by Waterhouse, 1930.

Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

One of the exhibition’s highlights will be the Ringling’s own work, Rest on the Flight into Egypt (ca. 1572), one of only two complete Veronese altarpieces in North America and the first Old Master painting acquired in 1925 by the Museum’s founder, John Ringling. The exhibition will also feature two other works from the Ringling’s collection: Portrait of Francesco Franceschini (1551), the artist’s first known surviving, full-standing portrait, painted when Veronese was just 23 years old, and a painting John Ringling bought as a Veronese, A Family Group (ca. 1565), now understood to be the work of his talented pupil Giovanni Antonio Fasolo.

“One of the most impressive paintings by Veronese in America is the Ringling’s Rest on the Flight into Egypt, which happens to be the first Old Master painting acquired by John Ringling for this museum,” said Steven High, executive director of The John and Mable Ringling Museum of Art. “In recent years, the Ringling Museum has made a concerted effort to organize important exhibitions based on prominent works in our European collection, and Paolo Veronese is the latest in this series. This exhibition hopes to introduce new audiences to the broad spectrum of Veronese as a painter and draughtsman, while making a major contribution to the study of the artist.”

“Veronese is broadly represented in American collections, in contrast with contemporary Venetian painters like Tintoretto and Titian, and thus the exhibition ably surveys his career and oeuvre,” said Virginia Brilliant, the exhibition’s lead curator. “Yet Veronese is often dismissed as a merely decorative painter, more elegant and ‘happier’ than Titian or Tintoretto. This exhibition hopes to shift this perception, and to shed light on Veronese as a masterful, deeply empathetic storyteller and narrative painter whose works were often invested with rich layers of meaning.”

Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

One of the exhibition’s highlights will be the Ringling’s own work, Rest on the Flight into Egypt (ca. 1572), one of only two complete Veronese altarpieces in North America and the first Old Master painting acquired in 1925 by the Museum’s founder, John Ringling. The exhibition will also feature two other works from the Ringling’s collection: Portrait of Francesco Franceschini (1551), the artist’s first known surviving, full-standing portrait, painted when Veronese was just 23 years old, and a painting John Ringling bought as a Veronese, A Family Group (ca. 1565), now understood to be the work of his talented pupil Giovanni Antonio Fasolo.

“One of the most impressive paintings by Veronese in America is the Ringling’s Rest on the Flight into Egypt, which happens to be the first Old Master painting acquired by John Ringling for this museum,” said Steven High, executive director of The John and Mable Ringling Museum of Art. “In recent years, the Ringling Museum has made a concerted effort to organize important exhibitions based on prominent works in our European collection, and Paolo Veronese is the latest in this series. This exhibition hopes to introduce new audiences to the broad spectrum of Veronese as a painter and draughtsman, while making a major contribution to the study of the artist.”

“Veronese is broadly represented in American collections, in contrast with contemporary Venetian painters like Tintoretto and Titian, and thus the exhibition ably surveys his career and oeuvre,” said Virginia Brilliant, the exhibition’s lead curator. “Yet Veronese is often dismissed as a merely decorative painter, more elegant and ‘happier’ than Titian or Tintoretto. This exhibition hopes to shift this perception, and to shed light on Veronese as a masterful, deeply empathetic storyteller and narrative painter whose works were often invested with rich layers of meaning.”

Вероятно, серверы Твиттера перегружены или в их работе произошел кратковременный сбой. Повторите попытку или посетите страницу Статус Твиттера , чтобы узнать более подробную информацию.

Эта настройка позволяет добавлять в твиты информацию о местоположении, например название города и точные координаты, на веб-сайте и в сторонних приложениях. Вы можете удалить сведения о местоположении из своих твитов в любое время. Подробнее

Paolo Veronese
Biography of Venetian Biblical Painter and Colourist.
MAIN A-Z INDEX - A-Z of ARTISTS


Wedding Feast at Cana (1563) (detail)
Louvre, Paris. By Paolo Veronese.
One of the most famous examples
of Christian art from the Mannerist era.

• Biography
• Training
• Early Works
• Moves to Venice
• The Wedding at Cana
• The Feast in the House of Levi
• Artistic Reputation and Legacy
• Selected Paintings

Paolo Veronese, Jesus Healing the Servant of a Centurion,  16 th century. Oil on canvas,  Kunsthistorisches Museum , Gemaeldegalerie, Vienna.

The centurion of Matthew 8:5-13 and Luke 7:1-10 belonged to the army of Herod Antipas and persuaded Jesus to heal his servant; whether he really built the synagogue in Capernaum is less certain.

Despite the city’s reputation as hostile to Christians, one of the oldest Christian communities thrived in Rome, a major ancient metropolis.

One of the exhibition’s highlights will be the Ringling’s own work, Rest on the Flight into Egypt (ca. 1572), one of only two complete Veronese altarpieces in North America and the first Old Master painting acquired in 1925 by the Museum’s founder, John Ringling. The exhibition will also feature two other works from the Ringling’s collection: Portrait of Francesco Franceschini (1551), the artist’s first known surviving, full-standing portrait, painted when Veronese was just 23 years old, and a painting John Ringling bought as a Veronese, A Family Group (ca. 1565), now understood to be the work of his talented pupil Giovanni Antonio Fasolo.

“One of the most impressive paintings by Veronese in America is the Ringling’s Rest on the Flight into Egypt, which happens to be the first Old Master painting acquired by John Ringling for this museum,” said Steven High, executive director of The John and Mable Ringling Museum of Art. “In recent years, the Ringling Museum has made a concerted effort to organize important exhibitions based on prominent works in our European collection, and Paolo Veronese is the latest in this series. This exhibition hopes to introduce new audiences to the broad spectrum of Veronese as a painter and draughtsman, while making a major contribution to the study of the artist.”

“Veronese is broadly represented in American collections, in contrast with contemporary Venetian painters like Tintoretto and Titian, and thus the exhibition ably surveys his career and oeuvre,” said Virginia Brilliant, the exhibition’s lead curator. “Yet Veronese is often dismissed as a merely decorative painter, more elegant and ‘happier’ than Titian or Tintoretto. This exhibition hopes to shift this perception, and to shed light on Veronese as a masterful, deeply empathetic storyteller and narrative painter whose works were often invested with rich layers of meaning.”

Вероятно, серверы Твиттера перегружены или в их работе произошел кратковременный сбой. Повторите попытку или посетите страницу Статус Твиттера , чтобы узнать более подробную информацию.

Эта настройка позволяет добавлять в твиты информацию о местоположении, например название города и точные координаты, на веб-сайте и в сторонних приложениях. Вы можете удалить сведения о местоположении из своих твитов в любое время. Подробнее

Paolo Veronese
Biography of Venetian Biblical Painter and Colourist.
MAIN A-Z INDEX - A-Z of ARTISTS


Wedding Feast at Cana (1563) (detail)
Louvre, Paris. By Paolo Veronese.
One of the most famous examples
of Christian art from the Mannerist era.

• Biography
• Training
• Early Works
• Moves to Venice
• The Wedding at Cana
• The Feast in the House of Levi
• Artistic Reputation and Legacy
• Selected Paintings

Charles Stirling, 1771 - 1830 (Keir, Central, Scotland), possibly by inheritance to his nephew, William Stirling-Maxwell.

Sir William Stirling-Maxwell, ninth Bart., Kt., 1818 - 1878 (Keir, Central, Scotland), probably by inheritance to his brother, Archibald Stirling, 1878.

Gen. Archibald Stirling of Keir, 1867 - 1931 (Keir, Central, Scotland), by inheritance to William Joseph Stirling, 1931.
Source: Seen by Waterhouse, 1930.

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